Neutron 4 comes with 8 plug-ins including a mothership and 7 component modules. Eight professional plugins combine to create your modern and intelligent mixing experience. Mix smarter and faster while staying in your flow. Now with limiters, it’s basically compressors with a very high ratio so I would only use them in mastering stage.IZotope Neutron 4 v4.0.1 Apple M1 and Intel macOS Compress low-end, expand highs, whatever… Then there’s compression in dynamic EQs, can be life saving, depends on your purpose. You’re FL user, try Maximus, it’s very capable and easy to work with. Then there’s stuff like every broducers’ favourite OTT preset of Live’s multiband compressor (free vst exists if you’re not a live user). Transient shapers are great for more sound destruction, squash them, apply this effect in parallel separating between frequency bands… Or do the opposite, amplify transients, remove sustain. Glue compressors are amazing tools to flatten everything, lowest threshold and you’re set because why not. Gotta love destroying transients with hard compression. It won’t if you don’t mess with make-up gain and dial it to 11, gain staging is important.Īgain, endless possibilities. So, while I know full-well that I COULD make all this stuff manually with nothing but volume automation with enough patience, I like to use the tool that’s best suited for the job and get on with my life.Ĭompressors I dont use because I will blow out my ear drums just through my tendencies with experimentation… I have independent metering outside the limiter in a mastering context, and I make full use of the in-limiter metering as well, which is multiple pages in either Izotope Ozone or Newfangled Elevate, my two main mastering limiters. 3-.5 db changes in that instance.Īnd limiters, I meter even more than compressors. My favorite compressor, meanwhile is Presswerk and that has 4 different meters related to level that I’m looking at closely whenever I use it. Honestly, my favorite transient processor right now is DS-10, and it doesn’t have any level readout at all, just a clipping light to let you know if you’re going too far. A transient processor is different from either in that you aren’t really looking at specific levels or specific gain like with a compressor, but you are much more concerned with the level in regards to time. A limiter is different from a compressor in the extent it will change volume. But the label really makes all the difference for me. I think transient shapers, compressors, and limiters are doing the same thing more or less (changing signal level over time). That said, I mostly don’t like the effect of single-band transient shapers that much since I always feel the need to split up at least some bands, and I don’t use any plugins or settings in that regard regularly. The fastest results for completely reshaping the sound of transient-heavy stuff such as full beats I mostly get with either Neutron transient shaper or Punctuate with low band number settings. In general, you can get roughly similar effects with multiband volume shaping or sometimes even dynamic EQing depending on application and settings, but the sound will be different, as is the case for various transient shapers, and you might not have much options for finetuning, or the available options might not work well for the job. Btw., Physion is interesting, too, although a very different effect… I have good experiences with Elevate Punctuate (up to 26 bands), Transify (4 bands, feels much more clunky in general) and the Neutron transient shaper (only 3 bands, but works great). I love multiband transient shaping and use it in nearly every track if it’s not ambient or something like that. I’ve only used a transient shaper briefly but it seems to me that I can achieve a similar effect using a chain of compressors and volume envelopes…or am I wrong…if I am correct me…also noticed that when using a limiter it boosts certain frequencies as I increase the volume up against a set db ceiling…I just normally eq it after application of the limiter…compressors I dont use because I will blow out my ear drums just through my tendencies with experimentation…Īlso do you find yourself mixing both the dry and wet signals using these effects?
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